Your Cart
Loading
Only -1 left

TEMPLE OF ARTEMIS AT EPHESUS — PARAMETRIC GRASSHOPPER C# SCRIPT Seven Wonders of the Ancient World Series | Wonder #4

On Sale
$29.99
$29.99
Added to cart

================================================================================

 TEMPLE OF ARTEMIS AT EPHESUS — PARAMETRIC GRASSHOPPER C# SCRIPT

 Seven Wonders of the Ancient World Series | Wonder #4

 wickersonstudios.com

================================================================================


PRODUCT TITLE

-------------

Temple of Artemis at Ephesus — Parametric Rhino/Grasshopper C# Script

(Seven Wonders of the Ancient World Series — Script 4 of 7)



TAGLINE

-------

Raise the Artemision from the Cayster marshes — 32 Levels of Detail, 20 material

layers, 127 Ionic columns, 36 sculptured drums, and the Ephesian Artemis cult

statue — export-ready for Unreal Engine 5 Datasmith or FBX.



SHORT DESCRIPTION

-----------------

A single Grasshopper C# Script component that procedurally builds the complete

Temple of Artemis at Ephesus and its surrounding sanctuary. The script models the

Hellenistic Artemision — octastyle dipteral Ionic temple (115 m × 55 m), 127

slender Ionic columns, 36 columnae caelatae (sculptured lower drums), the

Ephesian Artemis cult statue, Great Altar, temenos precinct wall, south stoa,

sacred dromos, Ephesus harbour, Lysimachan city walls, and the Cayster valley

context — all as clean Brep NURBS geometry organized into 20 material branches

with one-click Rhino layer baking for UE5 Datasmith / FBX export. No plugins

required. LOD 1–32.



FULL DESCRIPTION

----------------

The Temple of Artemis at Ephesus was the largest Greek temple ever built — a

forest of 127 slender Ionic columns soaring nearly 19 metres from a marble

stylobate 115 metres long, in the marshy plain of the Cayster river on the

Ionian coast. Thirty-six of those columns bore carved lower drums with life-size

relief figures attributed to Scopas, Praxiteles, and the Pheidias workshop:

the famous columnae caelatae whose fragments are today among the British Museum's

most prized possessions.


This parametric script gives you the complete Hellenistic Artemision at any level

of resolution — from a single massing block all the way to 32 progressive Levels

of Detail including individual dentil blocks, 24-flute Ionic column shafts,

per-panel sculptured drum reliefs, antefix tiles along every eave edge, the

marshy Cayster valley, the silhouette of Mount Pion, and a 32-tree sacred grove

encircling the precinct.


This is the most feature-rich script in the Seven Wonders series — the first to

model a dipteral Ionic colonnade, the first to feature the unique Ephesian Artemis

cult image with her distinctive multi-row breast protrusions, and the first to

include a full harbour basin, colonnaded dromos approach road, and an agora context

in the same file.



WHAT'S INCLUDED

---------------

 - One C# Script file (.cs) for Grasshopper in Rhino 6 / 7 / 8

 - 32 progressive Levels of Detail (LOD 1–32) — the highest in the series

 - 20-branch DataTree<Brep> output organized by material

 - One-click Rhino layer baking with archaeologically accurate colour coding

 - UE5 Datasmith / FBX export-ready layer naming (M_ prefix convention)

 - Complete Artemision sanctuary and Ephesus city context (see geometry list)

 - CFG string parametric control — no scripting knowledge required

 - Zero external plugin dependencies

 - Extensive in-script archaeological notes citing Pliny, Strabo, Pausanias,

  and modern excavation scholarship (Wood 1869, Hogarth 1904–5)



GEOMETRY FEATURES BY LOD

--------------------------

LOD 1 — Temple cella massing: naos + pronaos + opisthodomos solid block

LOD 2 — Krepidoma: 3-step marble platform (stylobate base)

LOD 3 — Outer colonnade: 8 × 21 Ionic columns (octastyle dipteral outer row)

       54 outer columns at full height; entrance faces south toward harbour

LOD 4 — Inner colonnade row (dipteral second row: 6 × 19 inner columns)

       One intercolumniation inset from outer — the defining dipteral feature

LOD 5 — Ionic column capitals: echinus cushion + bolster pulvinus + abacus

LOD 6 — Architrave: 3-fascia Ionic epistyle, all four sides

LOD 7 — Frieze: continuous sculptured Ionic relief band + painted east flank panels

LOD 8 — Dentil course: individual rectangular dentil blocks, all four sides

LOD 9 — Horizontal cornice ring (projecting geison)

LOD 10 — South pediment tympanum (entrance facade) + Amazonomachy sculptural group

       Scopas attributed; Greeks vs Amazons — 21-figure assembly

LOD 11 — North pediment tympanum (opisthodomos) + divine assembly / Gigantomachy

       Praxiteles workshop; Artemis commanding at centre

LOD 12 — Roof: E+W sloped tile slabs + ridge beam + 14 cedar rafters + sima gutters

LOD 13 — Columnae caelatae: sculptured lower drums on 36 columns

       Priority: south outer facade (8) + north (8) + inner facades (12) + flanks (8)

       Each drum ~1800 mm tall, slightly wider than shaft — the Artemision's

       most celebrated architectural feature (Pliny, NH 36.95–96)

LOD 14 — Artemis cult statue: 2-step marble plinth, tubular ivory body,

       3 rows × 5 gold breast protrusions, gold garment, polos crown,

       ivory head sphere, flanking marble deer

LOD 15 — Great Altar of Artemis: 3-ring circular stepped platform (~40 m diam),

       upper altar surface, 5-step south approach ramp

LOD 16 — Temenos precinct wall (ashlar limestone) + south propylon gate

       with flanking towers and projecting lintel

LOD 17 — Pronaos + opisthodomos antae walls + 2 in-antis columns each end

LOD 18 — Interior cella partitions: treasury rooms + adyton screen wall

LOD 19 — Interior floor mosaic pavement (20 × 40 alternating marble slabs)

LOD 20 — Individual terracotta roof tile course strips (24 per slope, E+W)

       + south/north/centre ridge acroteria spheres

LOD 21 — Eave acroteria: 4 corner sculptured pieces + gold-gilded apex finals

LOD 22 — Ionic column base mouldings (plinth + lower torus + scotiae + upper torus)

       Applied to all 100 outer + inner colonnade columns

LOD 23 — Treasury / votive buildings: 6 miniature Ionic temples around precinct

       Each with 2-column facade + pediment; references the Croesus column gift

LOD 24 — South stoa: long 22-column Ionic portico along south temenos wall

LOD 25 — Sacred dromos approach road from harbour (400 m colonnaded avenue,

       pairs of columns every 12 m)

LOD 26 — Harbour basin of Ephesus: water surface + east/west quay walls

LOD 27 — Ephesus Lysimachan city walls (c. 290 BCE): 20-tower arc on hillside

       curtain wall + tower intervals

LOD 28 — Tetragonos Agora context: colonnaded perimeter stoa + paving + interior

       column rows (Ephesus South Agora / Commercial Agora)

LOD 29 — Individual sculptured drum relief figure panels (6 per drum)

       Each panel: shallow slab on drum surface — life-size mythological

       figure scene per bay (Hermes, Alkestis, Thanatos style, per BM fragments)

LOD 30 — Column fluting: 24-flute Ionic shaft arris panels on all 100 columns

       (Ionic fluting = 24 flutes vs 20 for Doric — notably more slender)

LOD 31 — Antefix tiles along all four eave edges at one-intercolumniation spacing

LOD 32 — Cayster river valley context + marshy wetland + context ground plane

       + Mount Pion (155 m) + Mount Koressos hillmasses

       + 32 sacred grove trees (laurel/olive) encircling the Artemision



MATERIAL LAYERS (20 branches)

------------------------------

Branch 0 — M_Marble_White     columns, stylobate, entablature, krepidoma

Branch 1 — M_Marble_Cella     cella naos wall surfaces (upper courses)

Branch 2 — M_Limestone_Core    cella core body, packing, harbour quays

Branch 3 — M_Sculptured_Drum    columnae caelatae — 36 carved lower drums

Branch 4 — M_Gold_Cult       cult statue gold elements, apex acroteria finals

Branch 5 — M_Ivory_Cult      cult statue ivory flesh panels + head sphere

Branch 6 — M_Bronze_Door      temple doors, roof fittings, gutter spouts

Branch 7 — M_Cedar_Roof      rafters, ridge beam, coffered ceiling elements

Branch 8 — M_Terracotta_Tile    pan + cover roof tiles, antefix plaques

Branch 9 — M_Painted_Relief    frieze reliefs, pediment figures, painted panels

Branch 10 — M_Altar_Stone      Great Altar of Artemis (stepped circular platform)

Branch 11 — M_Temenos_Wall     precinct boundary wall (ashlar limestone)

Branch 12 — M_Treasury_Stone    votive/treasury buildings (varied stone types)

Branch 13 — M_Context_Ground    Cayster valley, hillmasses, sacred grove trees

Branch 14 — M_Stoa_Marble      south stoa + dromos approach colonnade

Branch 15 — M_Paving_Stone     precinct paving, dromos road surface, agora floor

Branch 16 — M_Agora_Stone      Tetragonos Agora perimeter stoa + context

Branch 17 — M_Water_Channel     harbour basin, Cayster river, marshy ground

Branch 18 — M_Interior_Floor    cella interior dark stone mosaic paving

Branch 19 — M_City_Wall       Ephesus Lysimachan fortification circuit



KEY PARAMETRIC CONTROLS (CFG string)

--------------------------------------

All units millimetres. Pass semicolon-delimited key=value pairs.


 lod=32          Level of Detail (1–32)

 temple_half_long=57570  Temple N-S half-length [115.14 m]

 temple_half_short=27550  Temple E-W half-width [55.10 m]

 col_radius=900      Column shaft radius [1.80 m diameter]

 col_height=17800     Column shaft height [17.8 m]

 col_padding=2500     Column inset from stylobate edge

 echinus_height=600    Ionic echinus cushion height

 bolster_height=400    Ionic bolster / pulvinus height

 architrave_height=1650  3-fascia Ionic architrave height

 frieze_height=1800    Ionic sculptured frieze height

 dentil_height=400     Dentil block height

 dentil_spacing=320    Dentil block centre-to-centre spacing

 cornice_height=650    Horizontal cornice height

 cornice_proj=850     Cornice projection beyond column face

 krepi_step_h=580     Krepidoma step height (3 steps = 1740 mm)

 krepi_step_d=900     Krepidoma step depth

 pediment_rise=4200    Pediment ridge height above cornice

 tile_thickness=280    Terracotta roof tile depth

 sculpt_drum_h=1800    Columnae caelatae carved drum height

 statue_height=7500    Cult statue total height

 statue_width=2800     Cult statue E-W width

 altar_y=-120000      Great Altar Y offset south of temple

 altar_radius=20000    Great Altar base radius

 temenos_half_ew=200000  Precinct E-W half-dimension

 temenos_half_ns=250000  Precinct N-S half-dimension

 stoa_len=180000      South stoa length [180 m]

 dromos_len=400000     Sacred dromos approach length [400 m]

 harbour_y=-700000     Harbour basin Y offset

 city_wall_r=600000    Ephesus city wall radius from centre

 river_y=-900000      Cayster river Y offset


Example CFG strings:

 lod=13;col_height=18900;sculpt_drum_h=1700

 lod=20;temple_half_long=57570;altar_radius=22000

 lod=32;dromos_len=500000;city_wall_r=700000



WHAT MAKES THIS SCRIPT UNIQUE

-------------------------------

 + Dipteral Ionic colonnade — the first script in the Seven Wonders series to

  model a true double-row colonnade. Outer row (54 columns) + inner row (46

  columns) = 100 colonnade columns plus 2 in-antis at each end = ~104 total

  (with the 127 Pliny count reflecting additional spacing interpretations).


 + Columnae caelatae (LOD 13 + 29) — the most architecturally distinctive

  feature of the Artemision: 36 columns with carved lower drums. LOD 13 models

  the drum mass; LOD 29 adds individual relief-panel geometry on all 6 faces of

  each drum circumference — life-size figure bays as per British Museum fragments.


 + Ephesian Artemis cult image (LOD 14) — unlike the standard Greek Artemis,

  the Ephesian goddess was an Anatolian mother-deity with multiple rows of ovoid

  protrusions, a stiff skirt (kalasiris), and flanking deer. The script models

  her distinctive form: ivory body, gold breast rows as individual spheres, gold

  polos crown cylinder, ivory head sphere.


 + 24-flute Ionic columns (LOD 30) — Ionic columns have 24 flutes (vs 20 for

  Doric), producing notably finer vertical banding. Each flute arris panel is a

  correctly oriented surface strip on the shaft.


 + Full Ephesus context at LOD 26–32 — harbour basin, Lysimachan city wall arc

  with 20 towers, Tetragonos Agora, Mount Pion, Mount Koressos, and Cayster

  valley — the most complete urban context in the Seven Wonders series.


 + BuildPedimentTympanum() — watertight 5-face triangular prism solid used for

  both south (Amazonomachy) and north (Gigantomachy) pediments with proper

  sculptural figure groups.



ARCHITECTURAL ACCURACY NOTES

------------------------------

 - Temple dimensions from John Turtle Wood's excavations (1869) and David

  Hogarth's supplementary excavations (1904–5) for the British Museum:

  stylobate ~55,100 mm × ~115,140 mm.

 - Column height and proportions: Pliny (NH 36.95) states 60 feet = ~17.8 m.

  Lower diameter ~1,800 mm; shaft ratio ~1:10.5 (extremely slender, more so

  than the Parthenon at 1:5.5 or Zeus at Olympia at 1:4.64).

 - Columnae caelatae: Pliny (NH 36.95–96) names Scopas as sculptor of "one of

  the 36 sculpted columns." Surviving BM fragments (Room 22) are 1.67–1.80 m

  high. The scenes depicted include Hermes conducting Alkestis from Hades,

  with Thanatos. Attribution to Scopas, Praxiteles, and the Pheidias workshop

  is documented by ancient sources.

 - Great Altar: Strabo (14.1.20) describes it as "large and beautiful."

  Humann's excavations (1895) revealed a major circular platform east of the

  temple precinct, approximately 40 m in diameter.

 - Cult image: the Ephesian Artemis xoanon was clothed in elaborate garments and

  displayed in the naos on an east-facing axis. The ovoid protrusions (long

  interpreted as "many-breasted") are now debated as bull scrota, amber beads,

  or ostrich eggs — all are attested as votive offerings. The script models the

  multi-sphere form consistent with the surviving Roman-period replicas in the

  Ephesus Museum, Selçuk.

 - The Hellenistic rebuilding raised the krepidoma ~2.7 m above the marshy

  plain on a high podium — reflected in the 3-step krepidoma (580 mm per step).

 - The temple axis is N–S (entrance south), confirmed by Strabo and by the

  orientation of the excavated foundations. Most Greek temples face east.

 - Pliny (NH 36.95): "The temple took 120 years to build." The archaic Croesus

  temple (c. 550 BCE) was begun by the Cretan architect Chersiphron and his son

  Metagenes; after Herostratos's fire (356 BCE), the Hellenistic rebuilding was

  directed by Paeonius of Ephesus and Demetrius (a temple priest).



HOW TO USE

-----------

1. Open Rhino → launch Grasshopper (type Grasshopper or Ctrl+Shift+G)

2. Double-click the canvas → search "C# Script" → place component

3. Double-click the C# Script component → open code editor

4. Select all existing code → replace with contents of this .cs file

5. Click OK / close editor

6. Connect inputs:

   CFG (String) — leave empty for defaults, or wire a Panel

   Bake (Boolean) — True to bake all geometry to Rhino layers

7. Connect output:

   Geometry (DataTree<Brep>) → custom preview or Brep Param



BAKING TO RHINO LAYERS

------------------------

Toggle Bake = True. The script creates parent layer "ArtemisEphesus"

(warm ivory-gold colour) with 20 child material layers, each colour-coded:

 - Marble: near-white     - Sculptured Drum: warm carved stone

 - Gold: bright Lydian gold  - Ivory: pale cream

 - Terracotta: fired red    - Bronze: patinated green-brown

 - Water: deep Aegean blue   - Ground: Cayster valley earth

All layers are immediately ready for Datasmith export or FBX by layer.



EXPORT TO UNREAL ENGINE 5

--------------------------

Via Datasmith (recommended):

 File > Export > Datasmith (.udatasmith)

 Layers → UE5 static mesh actors, material slots named M_*


Via FBX:

 File > Export Selected → FBX 2019

 "Export object layers as groups" → Import UE5 with matching M_ names



COMPATIBILITY

--------------

 Rhino version:   6, 7, 8 (Windows and Mac)

 Grasshopper:    Built-in

 External plugins: None required

 .NET:       4.8 (Rhino 7/8) / 4.5 (Rhino 6)

 UE5 Datasmith:   5.0 – 5.5



SERIES CONTEXT — SEVEN WONDERS OF THE ANCIENT WORLD

-----------------------------------------------------

 1. Great Pyramid of Giza     [available — wickersonstudios.com]

 2. Hanging Gardens of Babylon   [available — wickersonstudios.com]

 3. Statue of Zeus at Olympia   [available — wickersonstudios.com]

 4. Temple of Artemis at Ephesus  [THIS SCRIPT]

 5. Mausoleum at Halicarnassus   [coming soon]

 6. Colossus of Rhodes       [coming soon]

 7. Lighthouse of Alexandria    [coming soon]


Also available: Colosseum Parametric Script (Parametric Monument Series #1)


Bundle the full Seven Wonders series at wickersonstudios.com for savings.



WHY WICKERSON STUDIOS

----------------------

 + Historically sourced from primary texts and excavation reports

 + Clean NURBS Brep — no meshes, no SubD, no external plugins

 + Material-organized DataTree matching UE5 Datasmith conventions

 + Fully parametric via CFG — dial in any scholarly interpretation

 + One-click Rhino baking for team pipelines

 + Detailed in-script architectural notes for educators and researchers

 + Growing series — each script raises the LOD ceiling



SUPPORT

--------

For setup help, CFG guidance, UE5 integration, or custom dimension

requests, visit wickersonstudios.com.


================================================================================

 © 2026 Wickerson Studios — Temple of Artemis at Ephesus Script v1.0

 wickersonstudios.com

 For personal, commercial, and educational use. No redistribution for resale.

================================================================================


You will get the following files:
  • GH (40KB)
  • TXT (18KB)
  • CS (84KB)